Maximalism Style Returns in 2026, Seen Through Three Designers
As I look through home design trends for 2026, maximalism refuses to fade. Bold color, patterned walls, layered textiles, and statement furniture define these spaces. Animal prints, florals, and geometric motifs are layered together instead of held apart.
What interests me this time is not the trend itself, but how different designers interpret it. Looking at interiors by Isabel Ladd, Zoë Feldman, and Frances Merrill, maximalism stops being one look. It becomes three distinct approaches. One leans into saturation and visual weight. Another pushes color and finish to the edge. The third softens the idea through comfort and repetition.
Together, these homes show where maximalism feels intentional, where it feels full, and where it still leaves room to live.
Upholstery and Wall Color Sharing Equal Weight
These interiors come from Lexington, Kentucky designer Isabel Ladd. Across her rooms, color and pattern take the lead instead of acting as accents. Walls, furniture, and decor share equal presence, leaving few quiet surfaces.
I see a clear commitment to bold choices. When the palette stays tight, the rooms feel rich and intentional. When too many tones meet, the space starts to feel full. This approach fits the question running through this article: does maximalism this year feel expressive, or does it push rooms past comfort?
When Color and Pattern Refuse to Step Back
In this home by Zoë Feldman, color, pattern, and finish take equal roles. High-gloss green walls set the tone, while textiles, furniture, and objects carry the space forward without a clear background.
I see strong direction holding the rooms together. The palette stays tight, and repetition replaces neutral surfaces. The result feels bold but full, leaving little space for adjustment.
When Soft Color Carries the Room
In this home by Frances Merrill of Reath Design, maximalism takes a softer path. Color fills the space, but it stays controlled. Lavender cabinets, patterned floors, layered textiles, and vintage forms work together without visual pressure.
I see rooms built around comfort first. Even with strong color and pattern, the spaces feel calm and usable. Furniture shapes stay familiar, and repetition keeps the rooms from feeling crowded. This approach shows how maximalism can feel warm and personal without pushing every surface to compete.